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This is the first book in over two decades devoted to the most important garden designer of the twentieth century. Gertrude Jekyll (1843–1932) laid the basis for modern garden design and is credited with popularizing an informal, naturalistic look in counterpoint to the rigid, formal landscapes of the Victorian era. Her collaboration with Edwin Lutyens produced seminal garden masterpieces of the Arts & Crafts movement, including Hestercombe and Folly Farm. Also known as a prolific and influential writer, Jekyll contributed more than a hundred articles to Country Life and designed three gardens for the publication’s founder, Edward Hudson. As a result, the Country Life archive has an unrivaled record of her work. This book includes a combination of both archival black-and-white and contemporary color photographs highlighting a selection of the more than 350 gardens Jekyll created. The book is organized in four sections and then concludes with an extensive bibliography and index. Introduction: Biographical overview: family, training, early influences, travel, homes; Accomplishments as an artist, gardener, designer, and writer; Circle of friends: artists, gardeners, architects, and writers; importance of their personal gardens, such as Gravetye Manor and Warley Place; Relationship with Country Life, Hudson, E. T. Cook, Robinson, Tipping, Weaver, Hussey; Importance of GJ's articles, books, and editorial activities related to Country Life Home and Garden: Discussion of Munstead Wood: its design, development, role of Lutyens, role played in Jekyll's books and articles for Country Life; visuals b/w, autochromes, and new color. Gardens of Lutyens and Jekyll: Discussion of their working and personal relationship; Jekyll's style with Lutyens design; progression of their partnership; Examples include: Orchards (1899), Tigbourne Court (1899), Goddards (1899), Deanery (1901), Bois des Moutiers (1904), Millmead (1905), Marsh Court (1905), Folly Farm (1906), Lambay (1907), Hestercombe (1908), Lindisfarne (1911), Gledstone (1925), Queen's Dolls' House (1924) Gardens for Small Country Houses: Jekyll's garden design style, her work with other architects, gardens she wrote about in Country Life, and influence on other designers; Examples include: Owlpen Manor, Little Boarhunt and Durford Edge (Triggs); Mounton House (Tipping); Hurtwood House and Westbrook (Turner); Manor House at Upton Grey (Newton), Townhill Park (Guthrie); Valewood Farm, Woodhouse Copse, (Oliver Hill) Garden Ornament: common features in period gardens drawn from Jekyll's books Wall and Water Gardens, Gardens for Small Country Houses, and Garden Ornament, with her comments; Examples of pergolas, arbors, water features, garden houses, ornament, etc., such as Iford, Easton, (Peto); Deanery, Heywood, Marsh Court (Lutyens); Mathern and Mounton (Tipping); Leasowes and other Cotswold houses (Gimson et al); Little Boarhunt (Triggs), and more.
This generously illustrated book for lovers of photography includes 365 images from the greatest photojournalists of today and yesterday. Founded by Henri Cartier-Bresson, Magnum Photos is an iconic international photographic cooperative whose members have captured the major historical events of their times, as well as private and intimate moments. A year's worth of these images is offered in this beautiful book that features full page reproductions organized to reflect what Cartier-Bresson himself declared a community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually. Nearly 70 photographers are represented with five to six images and the current Magnum members have selected the photographs that they consider to best represent their own output. Opposite each photograph is a page reserved for special dates, reflections, and notes. Published in an appealing and impressively-sized format, running more than 700 pages, this book includes images that make history both individual and universal.
After the 1973 success of American Graffiti, filmmaker George Lucas made the fateful decision to pursue a longtime dream project: a space fantasy movie unlike any ever produced. Lucas envisioned a swashbuckling SF saga inspired by the Flash Gordon serials classic American westerns, the epic cinema of Japanese auteur Akira Kurosawa, and mythological heroes. Its original title: The Star Wars. The rest is history, and how it was made is a story as entertaining and exciting as the movie that has enthralled millions for thirty yearsâa story that has never been told as it was meant to be. Until now.Using his unprecedented access to the Lucasfilm Archives and its trove of never-before-published âlostâ interviews, photos, production notes, factoids, and anecdotes, Star Wars scholar J. W. Rinzler hurtles readers back in time for a one-of-a-kind behind-the-scenes look at the nearly decade-long quest of George Lucas and his key collaborators to make the âlittleâ movie that became a phenomenon. For the first time, itâs all here:⢠the evolution of the now-classic story and charactersâincluding âAnnikin Starkillerâ and âa huge green-skinned monster with no nose and large gillsâ named Han Solo⢠excerpts from George Lucasâs numerous, ever-morphing script drafts⢠the birth of Industrial Light & Magic, the special-effects company that revolutionized Hollywood filmmaking⢠the studio-hopping and budget battles that nearly scuttled the entire project⢠the directorâs early casting saga, which might have led to a film spoken mostly in Japaneseâincluding the intensive auditions that won the cast members their roles and made them legends ⢠the grueling, nearly catastrophic location shoot in Tunisia and the subsequent breakneck dash at Elstree Studios in London⢠the whoâs who of young film rebels who pitched in to helpâincluding Francis Ford Coppola, Steven Spielberg, and Brian DePalmaBut perhaps most exciting, and rarest of all, are the interviews conducted before and during production and immediately after the release of Star Warsâin which George Lucas, Mark Hamill, Harrison Ford, Carrie Fisher, Sir Alec Guinness, Anthony Daniels, composer John Williams, effects masters Dennis Muren, Richard Edlund, and John Dykstra, Phil Tippett, Rick Baker, legendary production designer John Barry, and a host of others share their fascinating tales from the trenches and candid opinions of the film that would ultimately change their lives. No matter how you view the spectrum of this thirty-year phenomenon, The Making of Star Wars stands as a crucial documentârich in fascination and revelationâof a genuine cinematic and cultural touchstone.
Arrested and imprisoned in a small Swiss town, a prisoner begins this book with an exclamation: "I'm not Stiller!" He claims that his name is Jim White, that he has been jailed under false charges and under the wrong identity. To prove he is who he claims to be, he confesses to three unsolved murders and recalls in great detail an adventuresome life in America and Mexico among cowboys and peasants, in back alleys and docks. He is consumed by "the morbid impulse to convince," but no one believes him. This is a harrowing account--part Kafka, part Camus--of the power of self-deception and the freedom that ultimately lies in self-acceptance. Simultaneously haunting and humorous, I'm Not Stiller has come to be recognized as "one of the major post-war works of fiction" and a masterpiece of German literature.
130 beautiful and dramatic designs in a great range of size, shape and complexity, all royalty-free, with subjects ranging from birds and beasts of myth and scripture to elegantly wrought abstract motifs. Ideal for graphic artists, textile designers, and many other artists and craftspeople.
In The Age of Wire and String, hailed by Robert Coover as "the most audacious literary debut in decades," Ben Marcus welds together a new reality from the scrapheap of the past. Dogs, birds, horses, automobiles, and the weather are some of the recycled elements in Marcus' first collectionâpart fiction, part handbookâas familiar objects take on markedly unfamiliar meanings. Gradually, this makeshift world, in its defiance of the laws of physics and language, finds a foundation in its own implausibility, as Marcus produces new feelings and sensationsâboth comic and disturbingâin the definitive guide to an unpredictable yet exhilarating plane of existence.
When Star Wars debuted in 1977, it revolutionized mainstream American filmmaking, transporting fans to new galaxies and introducing them to countless now-classic characters, aliens, planets, and starships. In the decades since, the Star Wars Saga has become a phenomenon impacting cultures across the globe. Just as George Lucas drew upon the work of N. C. Wyeth and Norman Rockwell for his own visual inspiration, he has now invited more than 100 well-known and promising artists to draw upon the entire Star Wars galaxy for inspiration. Star Wars: Visions collects these magnificent artworks for the first time. Featuring pieces by renowned artists such as Amano, Allan R. Banks, Harley Brown, Gary Carter, James Christensen, Michael Coleman, Kinuko Craft, Jim Dietz, Phillipe Druillet, Donato Giancola, Ann Hanson, H. R. Giger, Daniel Greene, Ron Kleeman, Arantzazu Martinez, Syd Mead, Moebius, Paul Oxborough, Alex Ross, Anthony J. Ryder, Dolfi Stoki, William Stout, Dan Thompson, Julie Bell and Boris Vallejo, Scott Waddell, and Jamie Wyeth, Star Wars: Visions is a breakthrough tribute to the worldwide inspiration that is Star Wars. Praise for Star Wars Art: Visions:"Star Wars Art: Visions . . . acknowledges what fans have felt all along. They don't want to be mere spectators, but involved in the storytelling too." -Los Angeles Times
The latest edition of this management classic sports a fresh new look to complement its updated content. It continues to cover all of the important functions involved in library management and development. New chapters on marketing, team building and ethics have been added; thought provoking mini-cases and other activities introduced or expanded; and more international materials referenced than ever before. A perennial favorite in the classroom, an invaluable reference source for information managers everywhere.
An intimate look into the inner lives of our most prominent cultural figuresâ pulled from the celebrated Proust Questionnaire page in Vanity Fair magazine. The probing set of questions originated as a 19th-century parlor game popularized by contemporaries of Marcel Proust, the French essayist and novelist, who believed that an individualâs answers reveal his true nature. Illustrated by Risko, Vanity Fairâs Proust Questionnaire brings together the responses of 101 of the most vibrant personalities of our time, from Bette Midler and Lauren Bacall to Salman Rushdie and Norman Mailer, from Martin Scorsese and Shirley MacLaine to Aretha Franklin and Eric Clapton. Candid, hilarious, and endlessly fascinating,
In early 1992, a Russian man walked into the British embassy in a newly independent Baltic republic and asked to "speak to someone in authority." As he sipped his first cup of proper English tea, he handed over a small file of notes. Eight months later, the man, his family, and his enormous archive had been safely exfiltrated to Britain. When news that a KGB officer had defected with the names of hundreds of undercover agents leaked out in 1996, a spokesperson for the SVR (Russia's foreign intelligence service, heir of the KGB) said, "Hundreds of people! That just doesn't happen! Any defector could get the name of one, two, perhaps three agents--but not hundreds!" Vasili Nikitich Mitrokhin worked as chief archivist for the FCD, the foreign-intelligence arm of the KGB. Mitrokhin was responsible for checking and sealing approximately 300,000 files, allowing him unrestricted access to one of the world's most closely guarded archives. He had lost faith in the Soviet system over the years, and was especially disturbed by the KGB's systematic silencing of dissidents at home and abroad. Faced with tough choices--stay silent, resign, or undermine the system from within--Mitrokhin decided to compile a record of the foreign operations of the KGB. Every day for 12 years, he smuggled notes out of the archive. He started by hiding scraps of paper covered with miniscule handwriting in his shoes, but later wrote notes on ordinary office paper, which he took home in his pockets. He hid the notes under his mattress, and on weekends took them to his dacha, where he typed them and hid them in containers buried under the floor. When he escaped to Britain, his archive contained tens of thousands of pages of notes. In 1995, Mitrokhin, by then a British citizen, contacted Christopher Andrew (For the President's Eyes Only), head of the faculty of history at Cambridge University and one of the world's foremost historians of international intelligence. Andrew was allowed to examine the archive Mitrokhin created "to ensure that the truth was not forgotten, that posterity might some day come to know of it." The Sword and the Shield is the earthshaking result. The book details the KGB's foreign-intelligence operations, most notably those aimed at Great Britain and the "Main Adversary"--the United States. In the 700-page book, Andrew reveals operations aimed at discrediting high-profile Americans, from Martin Luther King to Ronald Reagan; secret arms caches still hidden--and boobytrapped--throughout the West; disinformation efforts, including forging a letter from Lee Harvey Oswald in an attempt to implicate the CIA in the assassination of JFK; attempts to stir up racial tensions in the U.S. by sending hate mail and even bombs; and the existence of deep-cover agents in North America and Europe--some of whom were effectively "outed" when the book was published. Mitrokhin's detailed notes are well served by Andrew, who writes forcefully and clearly. The Sword and the Shield represents a remarkable intelligence coup--one that will have serious repercussions for years to come. As Andrew notes, "No one who spied for the Soviet Union at any period between the October Revolution and the eve of the Gorbachev era can now be confident that his or her secrets are still secure." --Sunny Delaney
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