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The Devil in the White City: A Saga of Magic and Murder at the Fair that

Author Erik Larson imbues the incredible events surrounding the 1893 Chicago World's Fair with such drama that readers may find themselves checking the book's categorization to be sure that The Devil in the White City is not, in fact, a highly imaginative novel. Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was built. His efforts to complete the project, and the fair's incredible success, are skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing. --John Moe

A Perfect Blood (The Hollows)

New York Times bestselling author Kim Harrison returns to the Hollows with the electrifying follow-up to her acclaimed Pale Demon!Ritually murdered corpses are appearing across Cincinnati, terrifying amalgams of human and other. Pulled in to help investigate by the I.S. and the FIB, former witch turned day-walking demon Rachel Morgan soon realizes a horrifying truth: a human hate group is trying to create its own demons to destroy all Inderlanders, and to do so, it needs her blood. She’s faced vampires, witches, werewolves, demons, and more, but humanity itself might be her toughest challenge yet.

North Rim Delight (A Vet Tech Romance)

Terri Baker is through with men! But her abusive ex-boyfriend has other ideas. Meanwhile, she is grieving for her beloved German shepherd. She heads for the Grand Canyon to get away from it all. Three men are chasing her. One wants her money. One wants her life. And one wants her heart.Russ Camino is a bounty hunter with a haunted past. He made a promise that he must keep, and he has no time for women. Not even when he meets one who makes his pulse race. When he discovers that the hit man he is following is after Terri, he knows that he must protect her at all costs.*******Chapter One*******"He pushed me!"Terri flew over the guard rail, headed for a tumble into the Grand Canyon.Somewhere in mid-air, adrenaline kicked in."It's true," she thought. "The world does slow to a crawl when you're about to die."She saw the Canyon beyond the rim, its ochres, tans, and golds muted in the glare of the afternoon sun."I should be dying at sunset," she thought. "That's when the colors are most glorious."She saw the ground floating up to meet her. She was going to bounce. She would hit the rim and flop off into the Canyon. "Not very graceful."As that thought whizzed by, her body retrieved the memory of a long forgotten gymnastics class. "Tuck and roll." Muscle fiber and nerve endings worked together to twist her in the air. She put out her hands to meet the earth, and her body had every confidence that she would gather her legs beneath her and land like an athlete, agile and ready to spring back at her attacker.Unfortunately, her mind was not informed of the game plan. One hand was still clinging to her tote bag. It thumped the ground beneath her. At the very moment her feet were scheduled to perform their maneuver, panic choked her and ruined her timing. When her feet landed, they skidded sideways in the gravel and slid right over the edge."Ouch! That's going to hurt," she thought as her bare legs scraped the rocks at the rim. "Note to self. In the future, do not wear hiking shorts to a disaster."A part of her mind bubbled with hysterical laughter as she realized that the pain would be momentary. It would end at the bottom of the Canyon, a mile below."I dreamed about vacationing at the North Rim. I finally made it, and I've met a man worth loving. I am not ready to die!"The outside world and her inner sense of time reconnected with a jolt. Her hands scrabbled for purchase, but she was sliding toward the abyss. Someone screamed. "That should be me," she thought.It was.

The Kitchen House

When a white servant girl violates the order of plantation society, she unleashes a tragedy that exposes the worst and best in the people she has come to call her family. Orphaned while onboard ship from Ireland, seven-year-old Lavinia arrives on the steps of a tobacco plantation where she is to live and work with the slaves of the kitchen house. Under the care of Belle, the master's illegitimate daughter, Lavinia becomes deeply bonded to her adopted family, though she is set apart from them by her white skin. Eventually, Lavinia is accepted into the world of the big house, where the master is absent and the mistress battles opium addiction. Lavinia finds herself perilously straddling two very different worlds. When she is forced to make a choice, loyalties are brought into question, dangerous truths are laid bare, and lives are put at risk. The Kitchen House is a tragic story of page-turning suspense, exploring the meaning of family, where love and loyalty prevail. Explore the reading group guide for The Kitchen House. A Conversation with Author Kathleen Grissom Q: What information surprised you while doing research on white indentured servants? A: When I first began my research I was astonished to discover the great numbers of Irish that were brought over as indentured servants. Then, when I saw advertisements for runaway Irish indentured servants, I realized that some of them, too, must have suffered under intolerable conditions. Q: Why did you chose not to go into detail about some of the most dramatic plot points in the novel, for example, the death of Waters or the abuse of young Marshall? A: For the most part, Lavinia and Belle dictated the story to me. From the beginning, it became quite clear that if I tried to embellish or change their story, their narration would stop. When I withdrew, the story would continue. Their voices were quite distinct. Belle, who always felt grounded to me, certainly did not hold back with description, particularly of the rape. Lavinia, on the other hand, felt less stable, less able to cope; and at times it felt as though she was scarcely able to relate her horror. Q: It is interesting that your novel has two narrators--Lavinia and Belle. Do you have any plans to continue the story into the next generation--perhaps from the perspectives of Jaime and Elly? A: In 1830, Jamie is a well-respected ornithologist in Philadelphia and Sukey is enslaved by the Cherokee Indians in North Carolina. Theirs are the two voices I hear. In time I will know if I am meant to tell their story. Presently I am writing Crow Mary, another work of historical fiction. A few years ago I was visiting Fort Walsh in the Cypress Hills of Saskatchewan. As I listened to an interpreter tell of Mary, who, in 1872, at the age of sixteen, was traded in marriage to a well-known fur trader, a familiar deep chill went thorough me. I knew then that I would return to write about this Crow woman. Some of her complex life is documented, and what fascinates me are her acts of bravery, equal, in my estimation, to those of Mama Mae. Q: This is your first novel after diverse careers in retail, agriculture, and the arts. How have each of these experiences contributed to your writing style? A: I don't know that any endeavor specifically contributed to my writing style, but I do know that every phase of my life helped prepare me to write this book. Q: The dialogue of the slaves in this novel is very believable. It must have been a difficult thing to achieve. How did you go about creating authentic voices from two hundred years ago? A: At the very beginning of my research I read two books of slave narratives: Bullwhip Days: The Slaves Remember and Weevils in the Wheat: Interviews with Virginia Ex-Slaves. Soon after, the voices from The Kitchen House began to come to me. My original draft included such heavy dialect that it made the story very difficult to read. In time I modified the style so the story could be more easily read. Q: You said you wrote the prologue in one sitting after being inspired by a map you found while renovating an old plantation tavern. Since this is your first novel, do you think you were "guided" by residents of the past? A: Not only do I feel I was guided but also that I was gifted with their trust. However, I am not alone in this. In Alice Walker's book The Color Purple, she writes: "I thank everybody in this book for coming. A.W., author and medium." Unless I misread that, I'd say, in this experience, I'm in good company. Q: Your book has been described as "Gone with the Wind turned upside down." Are you a fan of Margaret Mitchell's novel? Which writers have inspired you through the years? A: I have only recently read Gone with the Wind. Although I did enjoy it, a few of the writers that have truly inspired me are Robert Morgan, Alice Randall, Susan Fromberg Schaeffer, Edward P. Jones, Nuala O'Faolain, Alexandra Fuller, Susan Howatch, Rick Bragg, Breena Clarke, Beryl Markham, Alice Walker, Joan Didion . . . this list could go on forever. I love to read. Q: There are many characters in this novel. How did you go about choosing their names? A: They were all taken from different lists of slaves that I found in my research. Q: What advice do you have for writers working on their first novels? A: If you feel called to write a book, consider it a gift. Look around you. What assistance is the universe offering you as support? I was given an amazing mentor, a poet, Eleanor Drewry Dolan, who taught me the importance of every word. To my utter amazement, there were times she found it necessary to consult three dictionaries to evaluate one word! Take the time you need to learn the craft. Then sit down and write. When you hand over your completed manuscript to a trusted reader, keep an open mind. Edit, edit, and edit again. And, of course, never give up! Q: At times in the novel, you can almost smell the hearty foods being prepared by Mama and others. In your research, did you find any specific notes or recipes from kitchen houses that you can share with your readers? A: In 1737, William Byrd, founder of Richmond, wrote of the many types of fruits and vegetables available in Virginia. Watermelons, pumpkins, squashes, cucumbers, artichokes, asparagus, green beans, and cauliflower were all being cultivated. I discovered that many of these were preserved by pickling. For those interested in how this was done and for recipes from that time, an excellent resource is Martha Washington's Booke of Cookery and Booke of Sweetmeats, transcribed by Karen Hess. While in Williamsburg, I watched re enactors roast beef over a spit in a kitchen fireplace. Small potatoes in a pan beneath the meat were browning in the drippings, and I cannot tell you how I longed for a taste. That was my inspiration for the Christmas meal. For basics, such as the chicken soup, I built a recipe around what I knew would have been available for use in the kitchen house at that time. Whenever Belle baked a molasses cake, I craved a taste. I did try several old recipes that I found, but I was unsatisfied with the results. So, using the old recipes as a baseline, my daughter, Erin, and I created our own version of a simple yet moist and tasty molasses cake. I am happy to share it with the readers: Simple Molasses Cake ½ cup butter 1/3 cup packed brown sugar 1 egg ½ cup milk 1 cup molasses 2 cups flour 1 teaspoon baking soda 1 teaspoon ground ginger 1 teaspoon cinnamon 2 dashes ground cloves ¼ teaspoon salt Preheat the oven to 350 degrees. Grease an 8-inchsquare baking pan. In a large bowl, cream the butter and sugar. Beat in the egg. In a separate bowl, combine the milk and the molasses. In another bowl, combine the flour, baking soda, ginger, cinnamon, cloves, and salt. Add each of these alternately to the butter mixture, beating well between additions. Spoon batter into the prepared pan. Bake for approximately 45 minutes, or until a toothpick comes out clean.

A Child al Confino: The True Story of a Jewish Boy and His Mother in Mus

Eric Lamet was only seven years old when the Nazis invaded Vienna—and changed his life and the lives of all European Jews forever. Five days after Hitler marched in, Eric Lamet and his parents fled for their lives. Unable to remain together, the family split—he and his mother hid out in Italy, while his father returned to his native Poland and an even darker fate. In this remarkable feat of memory and imagination, Lamet recreates the Italy he knew from the perspective of the scared and lonely child he once was. We not only see the hardships and terrors faced by foreign Jews in Fascist Italy, but also the friends Eric makes and his mother's valiant efforts to make a home for him. In a style as original as his story, the author vividly recalls a terrible time yet imbues his recollections with humor, humanity, and wit. With a rare compassion toward friend and foe alike, little Eric Lamet shows us that there is light to be found in the darkest places—and that we should remember the good as well as the bad.

Land of Nod, The Artifact

Jeff Browning is a teenage boy who, following the mysterious disappearance of his father (a brilliant physicist), finds a portal in his father's office that transports him to another dimension.The dimension is populated by fantastic and dangerous creatures and also an advanced society of humans. That society, while very different from those on earth, is oddly similar, in some ways, to the society in which Jeff grew up.As Jeff looks for clues regarding what may have happened to his father, he is accused by some of being a spy while thought by others to be a prophesized figure . . . who may be the key to victory in a developing war.

One Thousand Gifts: A Dare to Live Fully Right Where You Are

BRAND NEW 2011 HARDBACK EDITION.

Once a Ferrara Wife... (Harlequin Presents)

Laurel Ferrara wouldn't know a happy ending if she fell over it—of course her whirlwind wedding was always going to end in disaster. But it wasn't as simple as just walking away. From the moment she is summoned back to Sicily, the shivers of unease set in….The command comes from legendary billionaire Cristiano Ferrara, the husband she can't forget—but it might as well have come from the devil himself. The outrageously gorgeous Cristiano's power is a potent reminder of this Sicilian dynasty's unbreakable rule: once a Ferrara wife, always a Ferrara wife….

The Glass Castle

Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn't stand the responsibility of providing for her family, called herself an "excitement addict." Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever. Later, when the money ran out, or the romance of the wandering life faded, the Walls retreated to the dismal West Virginia mining town -- and the family -- Rex Walls had done everything he could to escape. He drank. He stole the grocery money and disappeared for days. As the dysfunction of the family escalated, Jeannette and her brother and sisters had to fend for themselves, supporting one another as they weathered their parents' betrayals and, finally, found the resources and will to leave home. What is so astonishing about Jeannette Walls is not just that she had the guts and tenacity and intelligence to get out, but that she describes her parents with such deep affection and generosity. Hers is a story of triumph against all odds, but also a tender, moving tale of unconditional love in a family that despite its profound flaws gave her the fiery determination to carve out a successful life on her own terms. For two decades, Jeannette Walls hid her roots. Now she tells her own story. A regular contributor to MSNBC.com, she lives in New York and Long Island and is married to the writer John Taylor. An exclusive Q&A with Jeannette Walls, author of The Glass Castle Q: How long did it take you to write The Glass Castle and what was that process like? A: Writing about myself, and about intensely personal and potentially embarrassing experiences, was unlike anything I’d done before. Over the last 25 years, I wrote many versions of this memoir -- sometimes pounding out 220 pages in a single weekend. But I always threw out the pages. At one point I tried to fictionalize it, but that didn't work either. When I was finally ready, I wrote it entirely on the weekends, getting to my desk by 7:30 or 8:00 a.m. and continuing until 6:00 or 7:00 p.m. I wrote the first draft in about six weeks -- but then I spent three or four years rewriting it. My husband, John Taylor, who is also a writer, observed all this approvingly and quoted John Fowles, who said that a book should be like a child: conceived in passion and reared with care. Q: How did you decide to follow The Glass Castle with Half Broke Horses? A: It was completely at the suggestion of readers. So many people kept saying the next book should be about my mother. Readers understood my father's recklessness because they understood alcoholism, but Mom was a mystery to them. Why, they would ask, would someone with the resources to lead a normal life choose the existence that she did? I would tell them a little bit about my mother’s childhood. She not only knew that she could survive without indoor plumbing, but that was the ideal period of her life, a time that she tries to recreate. I think that for memoir readers, it's not about a freak show– they’re just looking to understand people and get into a life that’s not their own. I thought, let me give it a shot, let me ask Mom. And she was all for it. But she kept insisting that the book should really be about her mother. At first I resisted because my grandmother, Lily Casey Smith, died when I was eight years old, more than 40 years ago. But I have a very vivid memory of this tough, leathery woman; she sang, she danced, she shot guns, she’d play honky tonk piano. I was always captivated by her. Lily had told such compelling stories—I was stunned by the number of anecdotes, and that Mom knew so much detail about them. Half Broke Horses is a compilation of family stories, stitched together with gaps filled in. They're the sort of tales that pretty much everyone has heard from their parents or grandparents. I realized that in telling Lily's story, I could also explain Mom's. Q: Why did you decide to write Half Broke Horses in the first person, and how much of this "true-life novel" is fiction? A: I set out to write a biography of Lily, but sometimes books take on a life of their own. I told it in first person because I wanted to capture Lily’s voice. I’m a lot like my grandmother, so it came easily to me. I planned to go back and change it from first person to third person and put in qualifiers so the book would be historically accurate, but when I showed it to my agent and publisher, they both said to leave it as it is. By doing that, I crossed the line from nonfiction into fiction. But when I call it fiction it’s not because I tarted it up and tried to embellish things, but wanted to make it more readable, fluid, and immediate. I was trying to get as close to the truth as I could. Q: How has your relationship with your mother changed in recent years? A: Several years ago, the abandoned building on New York’s Lower East Side where Mom had been squatting for more than a decade caught fire and she was back on the streets again at age 72. I begged her to come live with me. She said Virginia was too boring, and besides, she's not a freeloader. I told her we could really use help with the horses, and she said she'd be right there. I get along great with Mom now. She's a hoot. She's always upbeat, and has a very different take on life than most people. She's a lot of fun to be around -- as long as you're not looking for her to take care of you. She doesn’t live in the house with us-- I have not reached that level of understanding and compassion-- but in an outbuilding about a hundred yards away. Mom is great with the animals, loves to sing and dance and ride horses, and is still painting like a fiend. Q: What do you hope readers will gain from reading your books? A:Since writing The Glass Castle, so many people have said to me, "Oh, you’re so strong and you’re so resilient, and I couldn’t do what you did." That’s very flattering, but it’s nonsense. Of course they’re as strong as I am. I just had the great fortune of having been tested. If we look at our ancestry, we all come from tough roots. And one of the ways to discover our toughness and our resiliency is to look back at where we come from. I hope people who read The Glass Castle and Half Broke Horses will come away with that. You know, "Gosh, I come from hearty stock. Maybe I’m tougher than I realize."

The Giver (Newbery Medal Book)

In a world with no poverty, no crime, no sickness and no unemployment, and where every family is happy, 12-year-old Jonas is chosen to be the community's Receiver of Memories. Under the tutelage of the Elders and an old man known as the Giver, he discovers the disturbing truth about his utopian world and struggles against the weight of its hypocrisy. With echoes of Brave New World, in this 1994 Newbery Medal winner, Lowry examines the idea that people might freely choose to give up their humanity in order to create a more stable society. Gradually Jonas learns just how costly this ordered and pain-free society can be, and boldly decides he cannot pay the price.